“And the money’s burning still,” Lebedeff lamented.
| And again he stood like a log in the middle of the pavement; so amazed that his mouth remained open after the last word had left it. |
He opened his own door.
“I have observed,” said the prince, “that he seems to be an object of very singular interest to you, Evgenie Pavlovitch. Why is it?”
Lizabetha Prokofievna, when she saw poor Muishkin, in his enfeebled and humiliated condition, had wept bitterly. Apparently all was forgiven him.
Aglaya merely glanced at the portrait--frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.
| Prince S. tried hard to get up a conversation with Mrs. Epanchin upon outside subjects, probably with the good intention of distracting and amusing her; but he bored her dreadfully. She was absent-minded to a degree, and answered at cross purposes, and sometimes not at all. |
Aglaya rushed away homewards with these words.
“Why should I be offended?”
“I must admit, prince, I was a little put out to see you up and about like this--I expected to find you in bed; but I give you my word, I was only annoyed for an instant, before I collected my thoughts properly. I am always wiser on second thoughts, and I dare say you are the same. I assure you I am as glad to see you well as though you were my own son,--yes, and more; and if you don’t believe me the more shame to you, and it’s not my fault. But that spiteful boy delights in playing all sorts of tricks. You are his patron, it seems. Well, I warn you that one fine morning I shall deprive myself of the pleasure of his further acquaintance.”
At the same time his grasp of things in general soon showed Totski that he now had to deal with a being who was outside the pale of the ordinary rules of traditional behaviour, and who would not only threaten mischief but would undoubtedly carry it out, and stop for no one.
“This baseness on her part of course aroused my young blood to fever heat; I jumped up, and away I flew.
“You have forgotten, mother,” said Aglaya, suddenly. “He really did carry me about,--in Tver, you know. I was six years old, I remember. He made me a bow and arrow, and I shot a pigeon. Don’t you remember shooting a pigeon, you and I, one day?”
| “Wait in the next room, please; and leave your bundle here,” said the door-keeper, as he sat down comfortably in his own easy-chair in the ante-chamber. He looked at the prince in severe surprise as the latter settled himself in another chair alongside, with his bundle on his knees. |
“Oh!” cried the general, catching sight of the prince’s specimen of caligraphy, which the latter had now handed him for inspection. “Why, this is simply beautiful; look at that, Gania, there’s real talent there!”
| “Do you admire that sort of woman, prince?” he asked, looking intently at him. He seemed to have some special object in the question. |
The prince began to give his reasons, but she interrupted him again.
“‘Like Napoleon going to England, eh?’ cried he, laughing. ‘I’ll do it though--of course, and at once, if I can!’ he added, seeing that I rose seriously from my chair at this point.
“Don’t abuse him; though I dare say you have something to complain of....”
“Come!”
| It was a matter of general knowledge that the three girls were very fond of one another, and supported each other in every way; it was even said that the two elder ones had made certain sacrifices for the sake of the idol of the household, Aglaya. In society they not only disliked asserting themselves, but were actually retiring. Certainly no one could blame them for being too arrogant or haughty, and yet everybody was well aware that they were proud and quite understood their own value. The eldest was musical, while the second was a clever artist, which fact she had concealed until lately. In a word, the world spoke well of the girls; but they were not without their enemies, and occasionally people talked with horror of the number of books they had read. |
That there was, indeed, beauty and harmony in those abnormal moments, that they really contained the highest synthesis of life, he could not doubt, nor even admit the possibility of doubt. He felt that they were not analogous to the fantastic and unreal dreams due to intoxication by hashish, opium or wine. Of that he could judge, when the attack was over. These instants were characterized--to define it in a word--by an intense quickening of the sense of personality. Since, in the last conscious moment preceding the attack, he could say to himself, with full understanding of his words: “I would give my whole life for this one instant,” then doubtless to him it really was worth a lifetime. For the rest, he thought the dialectical part of his argument of little worth; he saw only too clearly that the result of these ecstatic moments was stupefaction, mental darkness, idiocy. No argument was possible on that point. His conclusion, his estimate of the “moment,” doubtless contained some error, yet the reality of the sensation troubled him. What’s more unanswerable than a fact? And this fact had occurred. The prince had confessed unreservedly to himself that the feeling of intense beatitude in that crowded moment made the moment worth a lifetime. “I feel then,” he said one day to Rogojin in Moscow, “I feel then as if I understood those amazing words--‘There shall be no more time.’” And he added with a smile: “No doubt the epileptic Mahomet refers to that same moment when he says that he visited all the dwellings of Allah, in less time than was needed to empty his pitcher of water.” Yes, he had often met Rogojin in Moscow, and many were the subjects they discussed. “He told me I had been a brother to him,” thought the prince. “He said so today, for the first time.”
| In her opinion there was so much disclosed and laid bare by the episode, that, in spite of the chaotic condition of her mind, she was able to feel more or less decided on certain points which, up to now, had been in a cloudy condition. |
| “And you can marry her now, Parfen! What will come of it all?” said the prince, with dread in his voice. |
“There are a couple of torn volumes somewhere; they have been lying about from time immemorial,” added Alexandra.
| “But at the same time you would be very glad to know how I happened to meet Aglaya Ivanovna this morning?” The prince finished her speech for her with the utmost composure. |
This time they neither opened the door at Rogojin’s flat nor at the one opposite. The prince found the porter with difficulty, but when found, the man would hardly look at him or answer his questions, pretending to be busy. Eventually, however, he was persuaded to reply so far as to state that Rogojin had left the house early in the morning and gone to Pavlofsk, and that he would not return today at all.
| “Chaos and scandal are to be found everywhere, madame,” remarked Doktorenko, who was considerably put out of countenance. |
“Yes, I think so!” said Adelaida.
“Thank you,” began the prince; “and since you are so very kind there is just one matter which I--”
The prince looked him sternly up and down.
“Comparatively to what?”
“However, observe” (she wrote in another of the letters), “that although I couple you with him, yet I have not once asked you whether you love him. He fell in love with you, though he saw you but once. He spoke of you as of ‘the light.’ These are his own words--I heard him use them. But I understood without his saying it that you were all that light is to him. I lived near him for a whole month, and I understood then that you, too, must love him. I think of you and him as one.”
“That his arrival at this time of night struck me as more or less strange may possibly be the case; but I remember I was by no means amazed at it. On the contrary, though I had not actually told him my thought in the morning, yet I know he understood it; and this thought was of such a character that it would not be anything very remarkable, if one were to come for further talk about it at any hour of night, however late.
“In the first place, I have had the opportunity of getting a correct idea of Mr. Burdovsky. I see what he is for myself. He is an innocent man, deceived by everyone! A defenceless victim, who deserves indulgence! Secondly, Gavrila Ardalionovitch, in whose hands I had placed the matter, had his first interview with me barely an hour ago. I had not heard from him for some time, as I was away, and have been ill for three days since my return to St. Petersburg. He tells me that he has exposed the designs of Tchebaroff and has proof that justifies my opinion of him. I know, gentlemen, that many people think me an idiot. Counting upon my reputation as a man whose purse-strings are easily loosened, Tchebaroff thought it would be a simple matter to fleece me, especially by trading on my gratitude to Pavlicheff. But the main point is--listen, gentlemen, let me finish!--the main point is that Mr. Burdovsky is not Pavlicheff’s son at all. Gavrila Ardalionovitch has just told me of his discovery, and assures me that he has positive proofs. Well, what do you think of that? It is scarcely credible, even after all the tricks that have been played upon me. Please note that we have positive proofs! I can hardly believe it myself, I assure you; I do not yet believe it; I am still doubtful, because Gavrila Ardalionovitch has not had time to go into details; but there can be no further doubt that Tchebaroff is a rogue! He has deceived poor Mr. Burdovsky, and all of you, gentlemen, who have come forward so nobly to support your friend--(he evidently needs support, I quite see that!). He has abused your credulity and involved you all in an attempted fraud, for when all is said and done this claim is nothing else!”
She was very like her mother: she even dressed like her, which proved that she had no taste for smart clothes. The expression of her grey eyes was merry and gentle, when it was not, as lately, too full of thought and anxiety. The same decision and firmness was to be observed in her face as in her mother’s, but her strength seemed to be more vigorous than that of Nina Alexandrovna. She was subject to outbursts of temper, of which even her brother was a little afraid.
“As to the article, prince,” he said, “I admit that I wrote it, in spite of the severe criticism of my poor friend, in whom I always overlook many things because of his unfortunate state of health. But I wrote and published it in the form of a letter, in the paper of a friend. I showed it to no one but Burdovsky, and I did not read it all through, even to him. He immediately gave me permission to publish it, but you will admit that I might have done so without his consent. Publicity is a noble, beneficent, and universal right. I hope, prince, that you are too progressive to deny this?”
| No! he did not account her a child. Certain of her looks, certain of her words, of late, had filled him with apprehension. At times it had struck him that she was putting too great a restraint upon herself, and he remembered that he had been alarmed to observe this. He had tried, all these days, to drive away the heavy thoughts that oppressed him; but what was the hidden mystery of that soul? The question had long tormented him, although he implicitly trusted that soul. And now it was all to be cleared up. It was a dreadful thought. And “that woman” again! Why did he always feel as though “that woman” were fated to appear at each critical moment of his life, and tear the thread of his destiny like a bit of rotten string? That he always _had_ felt this he was ready to swear, although he was half delirious at the moment. If he had tried to forget her, all this time, it was simply because he was afraid of her. Did he love the woman or hate her? This question he did not once ask himself today; his heart was quite pure. He knew whom he loved. He was not so much afraid of this meeting, nor of its strangeness, nor of any reasons there might be for it, unknown to himself; he was afraid of the woman herself, Nastasia Philipovna. He remembered, some days afterwards, how during all those fevered hours he had seen but _her_ eyes, _her_ look, had heard _her_ voice, strange words of hers; he remembered that this was so, although he could not recollect the details of his thoughts. |
“Well, it was a little drawn out, perhaps; but--”
“Not in the least--not in the least, I assure you. On the contrary, I am listening most attentively, and am anxious to guess--”
“No--oh no, fresher--more the correct card. I only became this like after the humiliation I suffered there.”
“But I did not allow it,” murmured the wretched prince.
“That was a psychological phenomenon, not an action,” remarked Totski.
“Prince,” whispered Hippolyte, suddenly, his eyes all ablaze, “you don’t suppose that I did not foresee all this hatred?” He looked at the prince as though he expected him to reply, for a moment. “Enough!” he added at length, and addressing the whole company, he cried: “It’s all my fault, gentlemen! Lebedeff, here’s the key,” (he took out a small bunch of keys); “this one, the last but one--Colia will show you--Colia, where’s Colia?” he cried, looking straight at Colia and not seeing him. “Yes, he’ll show you; he packed the bag with me this morning. Take him up, Colia; my bag is upstairs in the prince’s study, under the table. Here’s the key, and in the little case you’ll find my pistol and the powder, and all. Colia packed it himself, Mr. Lebedeff; he’ll show you; but it’s on condition that tomorrow morning, when I leave for Petersburg, you will give me back my pistol, do you hear? I do this for the prince’s sake, not yours.”
“You wouldn’t draw his portrait for us, that’s why you are to blame! Aglaya Ivanovna asked you to draw his portrait, and gave you the whole subject of the picture. She invented it herself; and you wouldn’t.”
| “I told you Lef Nicolaievitch was a man--a man--if only he would not be in such a hurry, as the princess remarked,” said the latter, with delight. |
“Because, you know,” Rogojin recommenced, as though continuing a former sentence, “if you were ill now, or had a fit, or screamed, or anything, they might hear it in the yard, or even in the street, and guess that someone was passing the night in the house. They would all come and knock and want to come in, because they know I am not at home. I didn’t light a candle for the same reason. When I am not here--for two or three days at a time, now and then--no one comes in to tidy the house or anything; those are my orders. So that I want them to not know we are spending the night here--”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
| “H’m! yes, that’s true enough. Well now, how is the law over there, do they administer it more justly than here?” |
“Now, go away, I don’t wish to have your arm any longer; or perhaps, better, continue to give me your arm, and walk along beside me, but don’t speak a word to me. I wish to think by myself.”
“But that’s just the worst of it all, don’t you see, that there was absolutely nothing serious about the matter in reality!” cried Evgenie, beside himself: “Excuse me, prince, but I have thought over all this; I have thought a great deal over it; I know all that had happened before; I know all that took place six months since; and I know there was _nothing_ serious about the matter, it was but fancy, smoke, fantasy, distorted by agitation, and only the alarmed jealousy of an absolutely inexperienced girl could possibly have mistaken it for serious reality.”
“Aglaya.”
“No, I know nothing whatever about it. I assure you I had nothing at all to do with it.”